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<channel>
	<title>Floral Pilgrim — Cargo Example Site</title>
	<link>https://floralpilgrim.cargo.site</link>
	<description>Floral Pilgrim — Cargo Example Site</description>
	<pubDate>Fri, 03 Nov 2017 21:17:03 +0000</pubDate>
	<generator>https://floralpilgrim.cargo.site</generator>
	<language>en</language>
	
		
	<item>
		<title>Foxes on the Hill</title>
				
		<link>https://floralpilgrim.cargo.site/Foxes-on-the-Hill</link>

		<pubDate>Fri, 27 Oct 2017 18:42:40 +0000</pubDate>

		<dc:creator>Floral Pilgrim — Cargo Example Site</dc:creator>

		<guid isPermaLink="true">https://floralpilgrim.cargo.site/Foxes-on-the-Hill</guid>

		<description>


Cartography
Foxes on the HillA map is not the territory it represents, but, if correct, it has a similar structure to the territory, which accounts for its usefulness.



&#60;img width="1900" height="1298" width_o="1900" height_o="1298" data-src="https://freight.cargo.site/t/original/i/f21673913ffba156735ec4adb5101cdcb510e56c1882c31ffbc8582a9d6e5c03/Atlas-19.jpg" data-mid="5844536" border="0"  src="https://freight.cargo.site/w/1000/i/f21673913ffba156735ec4adb5101cdcb510e56c1882c31ffbc8582a9d6e5c03/Atlas-19.jpg" /&#62;



	A Postcard from the Volcano
Wallace Stevens
1923
	Children picking up our bonesWill never know that these were onceAs quick as foxes on the hill;

And that in autumn, when the grapesMade sharp air sharper by their smellThese had a being; breathing frost;

And least will guess that with our bonesWe left much more, left what still isThe look of things, left what we felt




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	At what we saw. The spring clouds blowAbove the shuttered mansion-house,Beyond our gate and the windy sky

Cries out a literate despair.We knew for long the mansion's lookAnd what we said of it became

A part of what it is ... Children,Still weaving budded aureoles,Will speak our speech and never know,



&#60;img width="1700" height="1488" width_o="1700" height_o="1488" data-src="https://freight.cargo.site/t/original/i/f673d11263f99c4e9b624841c4dcac4ba95c49d53cd4728f1e3ca439f71c5930/Atlas-25.jpg" data-mid="5972703" border="0"  src="https://freight.cargo.site/w/1000/i/f673d11263f99c4e9b624841c4dcac4ba95c49d53cd4728f1e3ca439f71c5930/Atlas-25.jpg" /&#62;
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	Will say of the mansion that it seemsAs if he that lived there left behindA spirit storming in blank walls,
A dirty house in a gutted world,A tatter of shadows peaked to white,Smeared with the gold of the opulent sun.

</description>
		
	</item>
		
		
	<item>
		<title>The Curtains in the House of the Metaphysician</title>
				
		<link>https://floralpilgrim.cargo.site/The-Curtains-in-the-House-of-the-Metaphysician</link>

		<pubDate>Tue, 31 Oct 2017 20:51:34 +0000</pubDate>

		<dc:creator>Floral Pilgrim — Cargo Example Site</dc:creator>

		<guid isPermaLink="true">https://floralpilgrim.cargo.site/The-Curtains-in-the-House-of-the-Metaphysician</guid>

		<description>


Illustration
The Curtains in the House of the Metaphysician

	
		
		
	
	
		
			
				
					The Problem
of Life is old. I have endeavored to approach it afresh, with a
new method, in a new spirit, from a new point of view.

				
			
		
	




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The Curtains in the House of the Metaphysician
Wallace Stevens
1919
 It comes about that the drifting of these curtains 
Is full of long motions, as the ponderous&#38;nbsp;
Deflations of distance; or as clouds&#38;nbsp;
Inseparable from their afternoons;&#38;nbsp;
Or the changing of light, the dropping&#38;nbsp;
Of the silence, wide sleep and solitude&#38;nbsp;
Of night, in which all motion&#38;nbsp;
Is beyond us, as the firmament,&#38;nbsp;
Up-rising and down-falling, bares&#38;nbsp;
The last largeness, bold to see.

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“Harmonium”
Poetry Collection


	Earthy Anecdote
Invective Against Swans
In the Carolinas
The Paltry Nude Starts on a Spring Voyage
The Plot Against the Giant
Infanta Marina
Domination of Black
The Snow Man
The Ordinary Women
The Load of Sugar-Cane
Le Monocle de Mon Oncle
Nuances of a Theme by Williams
Metaphors of a Magnifico
Ploughing on Sunday
Cy Est Pourtraicte, Madame Ste Ursule, et Les Unze Mille Vierges
Hibiscus on the Sleeping Shores
Fabliau of Florida
The Doctor of Geneva
Another Weeping Woman
Homunculus et La Belle Etoile
The Comedian as the Letter C
From the Misery of Don Joost
O Florida, Venereal Soil
Last Look at the LilacsThe Worms at Heaven's GateThe Jack-RabbitAnecdote of Men by the ThousandThe Silver Plough BoyThe Apostrophe to VincentineFloral Decorations for BananasAnecdote of CannaOf the Manner of Addressing CloudsOf Heaven Considered as a TombOf the Surface of ThingsAnecdote of the Prince of PeacocksA High-Toned Old Christian WomanThe Place of the SolitairesThe Weeping BurgherThe Curtains in the House of the MetaphysicianBanal SojournDepression Before SpringThe Emperor of Ice-CreamThe Cuban DoctorTea at the Palaz of HoonExposition of the Contents of a CabDisillusionment of Ten O'ClockSunday MorningThe Virgin Carrying a LanternStars at TallapoosaExplanationSix Significant LandscapesBantams in Pine-WoodsAnecdote of the JarPalace of the BabiesFrogs Eat Butterflies. Snakes Eat Frogs. Hogs Eat Snakes. Men Eat Hogs.Jasmine's Beautiful Thoughts Underneath the WillowCortège for RosenbloomTattoo
The Bird with the Coppery, Keen ClawsLife is Motion
ArchitectureThe Wind ShiftsColloquy with a Polish AuntGubbinalTwo Figures in Dense Violet NightTheoryTo the One of Fictive MusicHymn from a Watermelon PavilionPeter Quince at the ClavierThirteen Ways of Looking at a BlackbirdNomad ExquisiteTeaTo the Roaring WindPoems Added to Harmonium (1931)The Man Whose Pharynx Was BadThe Death of a SoldierNegationThe Surprises of the SuperhumanSea Surface Full of CloudsThe Revolutionists Stop for OrangeadeNew England VersesLunar ParaphraseAnatomy of MonotonyThe Public SquareSonatina to Hans ChristianIn the Clear Season of GrapesTwo at NorfolkIndian River
	

&#60;img width="2072" height="974" width_o="2072" height_o="974" data-src="https://freight.cargo.site/t/original/i/b876723e70f3e94934ea924f0c178e9513d0c99923c2987288313d0aced97fb3/Tank-10.jpg" data-mid="6027708" border="0"  src="https://freight.cargo.site/w/1000/i/b876723e70f3e94934ea924f0c178e9513d0c99923c2987288313d0aced97fb3/Tank-10.jpg" /&#62;



	
&#60;img width="1962" height="913" width_o="1962" height_o="913" data-src="https://freight.cargo.site/t/original/i/913ab2806a86c8eb5eda26c43264315bc3936a3c02c6bf8c3c7f1d7da4e2386f/Tank-9.jpg" data-mid="6027707" border="0"  src="https://freight.cargo.site/w/1000/i/913ab2806a86c8eb5eda26c43264315bc3936a3c02c6bf8c3c7f1d7da4e2386f/Tank-9.jpg" /&#62;

	&#60;img width="2123" height="1108" width_o="2123" height_o="1108" data-src="https://freight.cargo.site/t/original/i/f80b0c9a4882edec0724c502c3972c8616f36ee3c3d08d2df78cac76a1a8dcab/Tank-6.jpg" data-mid="6027705" border="0"  src="https://freight.cargo.site/w/1000/i/f80b0c9a4882edec0724c502c3972c8616f36ee3c3d08d2df78cac76a1a8dcab/Tank-6.jpg" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>The Common Life</title>
				
		<link>https://floralpilgrim.cargo.site/The-Common-Life</link>

		<pubDate>Tue, 31 Oct 2017 18:36:52 +0000</pubDate>

		<dc:creator>Floral Pilgrim — Cargo Example Site</dc:creator>

		<guid isPermaLink="true">https://floralpilgrim.cargo.site/The-Common-Life</guid>

		<description>


Dimensionality
The Common LifeI care not so much what I am to others as what I am to myself. I will be rich by myself, and not by borrowing.


&#60;img width="1314" height="2363" width_o="1314" height_o="2363" data-src="https://freight.cargo.site/t/original/i/383b1e06eeff6f550ff5214eb18efd0ad216570f3520565a677e443d4d9abc45/Franz-Xaver-Messerschmidt-0.jpg" data-mid="6020290" border="0" alt="Foreword to A Theory of Meaning Analyzed" data-caption="Foreword to A Theory of Meaning Analyzed" src="https://freight.cargo.site/w/1000/i/383b1e06eeff6f550ff5214eb18efd0ad216570f3520565a677e443d4d9abc45/Franz-Xaver-Messerschmidt-0.jpg" /&#62;
&#60;img width="1304" height="2160" width_o="1304" height_o="2160" data-src="https://freight.cargo.site/t/original/i/96937c713dcb06a7d2c3e46d60567e82127c9870f7b42623e84727361c52a92d/Franz-Xaver-Messerschmidt-1.jpg" data-mid="6020291" border="0" alt="Five Lectures on General Semantics" data-caption="Five Lectures on General Semantics" src="https://freight.cargo.site/w/1000/i/96937c713dcb06a7d2c3e46d60567e82127c9870f7b42623e84727361c52a92d/Franz-Xaver-Messerschmidt-1.jpg" /&#62;
&#60;img width="1256" height="2428" width_o="1256" height_o="2428" data-src="https://freight.cargo.site/t/original/i/b51067d068ee831222197603bed74aff084cfe695d785aba0395322b93854e31/Franz-Xaver-Messerschmidt-2.jpg" data-mid="6020296" border="0" alt="A Veteran's Re-Adjustment and Extensional Methods" data-caption="A Veteran's Re-Adjustment and Extensional Methods" src="https://freight.cargo.site/w/1000/i/b51067d068ee831222197603bed74aff084cfe695d785aba0395322b93854e31/Franz-Xaver-Messerschmidt-2.jpg" /&#62;
&#60;img width="1509" height="2360" width_o="1509" height_o="2360" data-src="https://freight.cargo.site/t/original/i/31249152cf6ce7efef96b52820565efe1b2beb0f186dce610cf5992e7d14de8e/Franz-Xaver-Messerschmidt-4.jpg" data-mid="6020301" border="0" alt="Papers from the First American Congress for General Semantics" data-caption="Papers from the First American Congress for General Semantics" src="https://freight.cargo.site/w/1000/i/31249152cf6ce7efef96b52820565efe1b2beb0f186dce610cf5992e7d14de8e/Franz-Xaver-Messerschmidt-4.jpg" /&#62;
&#60;img width="1315" height="2379" width_o="1315" height_o="2379" data-src="https://freight.cargo.site/t/original/i/6f958cc123c8305f50b1b22f222414997c1de36615851c041a94c6afcd04024b/Franz-Xaver-Messerschmidt-3.jpg" data-mid="6020300" border="0" alt="The Logic of Discovery" data-caption="The Logic of Discovery" src="https://freight.cargo.site/w/1000/i/6f958cc123c8305f50b1b22f222414997c1de36615851c041a94c6afcd04024b/Franz-Xaver-Messerschmidt-3.jpg" /&#62;
&#60;img width="1523" height="2207" width_o="1523" height_o="2207" data-src="https://freight.cargo.site/t/original/i/789582621f72cb3ccb759933ab1777bc2ac920e52b8b2fdfc0f9a3d32539e11d/Franz-Xaver-Messerschmidt-5.jpg" data-mid="6020303" border="0" alt="A rational approach to understanding intelligence" data-caption="A rational approach to understanding intelligence" src="https://freight.cargo.site/w/1000/i/789582621f72cb3ccb759933ab1777bc2ac920e52b8b2fdfc0f9a3d32539e11d/Franz-Xaver-Messerschmidt-5.jpg" /&#62;
&#60;img width="1262" height="2428" width_o="1262" height_o="2428" data-src="https://freight.cargo.site/t/original/i/55c5c3183a1434778da07e1f08376407d1085a2a069185ad6b0a1337a7680128/Franz-Xaver-Messerschmidt-8.jpg" data-mid="6020306" border="0" alt="A Non-Aristotelian Study of Philosophy" data-caption="A Non-Aristotelian Study of Philosophy" src="https://freight.cargo.site/w/1000/i/55c5c3183a1434778da07e1f08376407d1085a2a069185ad6b0a1337a7680128/Franz-Xaver-Messerschmidt-8.jpg" /&#62;
&#60;img width="1483" height="2428" width_o="1483" height_o="2428" data-src="https://freight.cargo.site/t/original/i/a8d175bdc80604f3907b3c6ce4dc7cae5adbba0e3746d9547163f6cf684f44a4/Franz-Xaver-Messerschmidt-9.jpg" data-mid="6020307" border="0" alt="Manhood of humanity;the science and art of human engineering" data-caption="Manhood of humanity;&#38;lt;br&#38;gt;the science and art of human engineering" src="https://freight.cargo.site/w/1000/i/a8d175bdc80604f3907b3c6ce4dc7cae5adbba0e3746d9547163f6cf684f44a4/Franz-Xaver-Messerschmidt-9.jpg" /&#62;




The Common Life
Wallace Stevens
&#38;nbsp;1939That’s the down-town frieze, Principally the church steeple,A black line beside a white line,And the stack of the electric plant,A black line drawn on flat air.
It is a morbid lightIn which they stand,Like an electric lampOn a page of Euclid.

In this light a man is a result,
A demonstration, and a woman,
Without rose and without violet,
The shadows that are absent from Euclid,
Is not a woman for a man.
The paper is whiter
For these black lines.
It glares beneath the webs
Of wire, the designs of ink,
The planes that ought to have genius,
The volumes like marble ruins
Outlined and having alphabetical
Notations and footnotes.
The paper is whiter.
The men have no shadows
And the women have only one side.</description>
		
	</item>
		
		
	<item>
		<title>The Poem That Took The Place Of A Mountain</title>
				
		<link>https://floralpilgrim.cargo.site/The-Poem-That-Took-The-Place-Of-A-Mountain</link>

		<pubDate>Wed, 01 Nov 2017 20:02:41 +0000</pubDate>

		<dc:creator>Floral Pilgrim — Cargo Example Site</dc:creator>

		<guid isPermaLink="true">https://floralpilgrim.cargo.site/The-Poem-That-Took-The-Place-Of-A-Mountain</guid>

		<description>


	
	Cartography
THE POEM THAT TOOK THE PLACE OF A MOUNTAINLook upon these splendid treasures of bound-up time, imagine them taken away, and your sense of the appalling loss will give you the measure required.

	

&#60;img width="1844" height="892" width_o="1844" height_o="892" data-src="https://freight.cargo.site/t/original/i/427f614377e646a506bea2301af7a1a3730ac73aaaf9f15cd4e386911962a4b7/c6.jpg" data-mid="6115358" border="0"  src="https://freight.cargo.site/w/1000/i/427f614377e646a506bea2301af7a1a3730ac73aaaf9f15cd4e386911962a4b7/c6.jpg" /&#62;



	The Poem that Took the Place of a MountainWallace Stevens
 1954
	There it was, word for word,
The poem that took the place of a mountain.


He breathed its oxygen,
Even when the book lay turned in the dust of his table.


It reminded him how he had needed
A place to go to in his own direction,

How he had recomposed the pines,
Shifted the rocks and picked his way among clouds,




&#60;img width="1511" height="1166" width_o="1511" height_o="1166" data-src="https://freight.cargo.site/t/original/i/d3b52d58efe64f53434e839fd46013f6e302de50f3e66a4b1862e2269f7f8a2b/c12.jpg" data-mid="6115995" border="0"  src="https://freight.cargo.site/w/1000/i/d3b52d58efe64f53434e839fd46013f6e302de50f3e66a4b1862e2269f7f8a2b/c12.jpg" /&#62;
&#60;img width="1900" height="1298" width_o="1900" height_o="1298" data-src="https://freight.cargo.site/t/original/i/f21673913ffba156735ec4adb5101cdcb510e56c1882c31ffbc8582a9d6e5c03/Atlas-19.jpg" data-mid="6115996" border="0"  src="https://freight.cargo.site/w/1000/i/f21673913ffba156735ec4adb5101cdcb510e56c1882c31ffbc8582a9d6e5c03/Atlas-19.jpg" /&#62;
&#60;img width="2000" height="1202" width_o="2000" height_o="1202" data-src="https://freight.cargo.site/t/original/i/4f4c7c985b4899b738c5937704ec559711f36d713a97c84368d408d32b54c67d/Atlas-18.jpg" data-mid="6119867" border="0"  src="https://freight.cargo.site/w/1000/i/4f4c7c985b4899b738c5937704ec559711f36d713a97c84368d408d32b54c67d/Atlas-18.jpg" /&#62;


	
	For the outlook that would be right,Where he would be complete in an unexplained completion:

The exact rock where his inexactnessesWould discover, at last, the view toward which they had edged,

Where he could lie and, gazing down at the sea,Recognize his unique and solitary home.
</description>
		
	</item>
		
		
	<item>
		<title>Of the Manner of Addressing Clouds</title>
				
		<link>https://floralpilgrim.cargo.site/Of-the-Manner-of-Addressing-Clouds</link>

		<pubDate>Fri, 03 Nov 2017 19:29:58 +0000</pubDate>

		<dc:creator>Floral Pilgrim — Cargo Example Site</dc:creator>

		<guid isPermaLink="true">https://floralpilgrim.cargo.site/Of-the-Manner-of-Addressing-Clouds</guid>

		<description>


	
	Dimensionality
Of the Manner of Addressing CloudsAn event is a very complex fact, and the
relations between two events form an almost impenetrable
maze.





	

	&#60;img width="1304" height="2160" width_o="1304" height_o="2160" data-src="https://freight.cargo.site/t/original/i/96937c713dcb06a7d2c3e46d60567e82127c9870f7b42623e84727361c52a92d/Franz-Xaver-Messerschmidt-1.jpg" data-mid="6168998" border="0"  src="https://freight.cargo.site/w/1000/i/96937c713dcb06a7d2c3e46d60567e82127c9870f7b42623e84727361c52a92d/Franz-Xaver-Messerschmidt-1.jpg" /&#62;
	On the Manner of Addressing Clouds
Wallace StevensHarmonium, 1923


 
Gloomy grammarians in golden gowns,
 Meekly you keep the mortal rendezvous,

Eliciting the still sustaining pomps

Of speech which are like music so profound

They seem an exaltation without sound.

Funest philosophers and ponderers,

Their evocations are the speech of clouds.

So speech of your processionals returns

In the casual evocations of your tread

Across the stale, mysterious seasons. These

Are the music of meet resignation; these

The responsive, still sustaining pomps for you

To magnify, if in that drifting waste

You are to be accompanied by more

Than mute bare splendors of the sun and moon.


</description>
		
	</item>
		
		
	<item>
		<title>Not Ideas About the Thing but the Thing Itself</title>
				
		<link>https://floralpilgrim.cargo.site/Not-Ideas-About-the-Thing-but-the-Thing-Itself</link>

		<pubDate>Fri, 03 Nov 2017 19:37:16 +0000</pubDate>

		<dc:creator>Floral Pilgrim — Cargo Example Site</dc:creator>

		<guid isPermaLink="true">https://floralpilgrim.cargo.site/Not-Ideas-About-the-Thing-but-the-Thing-Itself</guid>

		<description>


	
	IllustrationNot Ideas About the Thing but the Thing ItselfBefore a sign may acquire meaning and
therefore become a symbol there must exist something for
this sign to symbolize.





	


	Not Ideas About the Thing but the Thing Itself
Wallace Stevens
1954

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	At the earliest ending of winter,In March, a scrawny cry from outsideSeemed like a sound in his mind. He knew that he heard it,A bird’s cry, at daylight or before,In the early March wind. The sun was rising at six, No longer a battered panache above snow... It would have been outside. It was not from the vast ventriloquism Of sleep's faded papier-mache... The sun was coming from the outside. That scrawny cry — It wasA chorister whose c preceded the choir.It was part of the colossal sun, Surrounded by its choral rings,Still far away. It was likeA new knowledge of reality. 


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	<item>
		<title>Nomad Exquisite</title>
				
		<link>https://floralpilgrim.cargo.site/Nomad-Exquisite</link>

		<pubDate>Thu, 02 Nov 2017 22:52:22 +0000</pubDate>

		<dc:creator>Floral Pilgrim — Cargo Example Site</dc:creator>

		<guid isPermaLink="true">https://floralpilgrim.cargo.site/Nomad-Exquisite</guid>

		<description>


	
	Cartography
Nomad ExquisiteIt is now evident that intellectual life is one long process of abstractions, generalizations, and assumptions — the three things are so many aspects of one whole activity.


&#60;img width="1511" height="1166" width_o="1511" height_o="1166" data-src="https://freight.cargo.site/t/original/i/d3b52d58efe64f53434e839fd46013f6e302de50f3e66a4b1862e2269f7f8a2b/c12.jpg" data-mid="6133776" border="0"  src="https://freight.cargo.site/w/1000/i/d3b52d58efe64f53434e839fd46013f6e302de50f3e66a4b1862e2269f7f8a2b/c12.jpg" /&#62;



	




	
As the immense dew of Florida Brings forthThe big-finned palmAnd green vine angering for life, As the immense dew of FloridaBrings forth hymn and hymnFrom the beholder,Beholding all these green sidesAnd gold sides of green sides, And blessed mornings,Meet for the eye of the young alligator,And lightning colorsSo, in me, come flingingForms, flames, and the flakes of flames. 
	Nomad Exquisite, Wallace Stevens, 1923

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</description>
		
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	<item>
		<title>The Man with the Blue Guitar</title>
				
		<link>https://floralpilgrim.cargo.site/The-Man-with-the-Blue-Guitar</link>

		<pubDate>Fri, 03 Nov 2017 21:17:03 +0000</pubDate>

		<dc:creator>Floral Pilgrim — Cargo Example Site</dc:creator>

		<guid isPermaLink="true">https://floralpilgrim.cargo.site/The-Man-with-the-Blue-Guitar</guid>

		<description>


	
	Illustration
THE MAN WITH THE BLUE GUITARAny organism must be treated as-a-whole; in other words, that an organism is not an algebraic sum, a linear function of its elements, but always more than that.

	


&#60;img width="4905" height="2293" width_o="4905" height_o="2293" data-src="https://freight.cargo.site/t/original/i/161d7aeaa237e383b5cd127d8dce0dbba49d7e955411ff5b1bd5c506066a89c3/c16.jpg" data-mid="6172986" border="0"  src="https://freight.cargo.site/w/1000/i/161d7aeaa237e383b5cd127d8dce0dbba49d7e955411ff5b1bd5c506066a89c3/c16.jpg" /&#62;



	The Man With the Blue Guitar is a poem published in 1937 by Wallace Stevens. It is divided into thirty-three lengthy sections, or cantos, and takes the form of an imaginary conversation with the subject of Pablo Picasso‘s painting The Old Guitarist, which Stevens likely viewed when it was exhibited at the Wadsworth Atheneum in Hartford, Connecticut, in 1934. But Stevens insisted this influence was only peripheral. In a letter dated July 1, 1953, to Professor Renato Poggioli, who had recently translated his poem into Italian, Stevens wrote: “I had no particular painting of Picasso’s in mind and even though it might help to sell the book to have one of his paintings on the cover, I don’t think we ought to reproduce anything of Picasso's.”
	In the poem, an unnamed “they” says, of the titular man, “you do not play things as they are”, sparking a prolonged meditation on the nature of art, performance, and imagination.

Stevens began writing the poem in December 1936, not long after his completion of the poetry collection Owl’s Clover in the spring of that year. “The Man With the Blue Guitar” became his most successful long poem to date,&#38;nbsp;and William Carlos Williams wrote at the time that he considered it one of Stevens’s best works.


︎ Read the Poem




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	<item>
		<title>The House Was Quiet and The World Was Calm</title>
				
		<link>https://floralpilgrim.cargo.site/The-House-Was-Quiet-and-The-World-Was-Calm</link>

		<pubDate>Fri, 03 Nov 2017 21:07:11 +0000</pubDate>

		<dc:creator>Floral Pilgrim — Cargo Example Site</dc:creator>

		<guid isPermaLink="true">https://floralpilgrim.cargo.site/The-House-Was-Quiet-and-The-World-Was-Calm</guid>

		<description>


	
	Cartography
The House Was Quiet and The World Was CalmMan’s achievements rest upon the use of symbols. We must consider ourselves as a symbolic, semantic class of life, and those who rule the symbols, rule us.
	



	&#60;img width="2300" height="2345" width_o="2300" height_o="2345" data-src="https://freight.cargo.site/t/original/i/1e519c86d586da4eb4b58cc109ff7d84e841bd3e12309fb247bb0a25dffe1698/last2.jpg" data-mid="6172842" border="0"  src="https://freight.cargo.site/w/1000/i/1e519c86d586da4eb4b58cc109ff7d84e841bd3e12309fb247bb0a25dffe1698/last2.jpg" /&#62;


The house was quiet and the world was calm.The reader became the book; and summer nightWas like the conscious being of the book.The house was quiet and the world was calm.The words were spoken as if there was no book,Except that the reader leaned above the page,Wanted to lean, wanted much most to beThe scholar to whom his book is true, to whomThe summer night is like a perfection of thought.The house was quiet because it had to be.The quiet was part of the meaning, part of the mind:The access of perfection to the page.And the world was calm. The truth in a calm world,In which there is no other meaning, itselfIs calm, itself is summer and night, itselfIs the reader leaning late and reading there.

	The House Was Quiet and the World Was Calm
Wallace Stevens
The Collected Poems of Wallace Stevens
1954

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</description>
		
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	<item>
		<title>The Doctor of Geneva</title>
				
		<link>https://floralpilgrim.cargo.site/The-Doctor-of-Geneva</link>

		<pubDate>Fri, 03 Nov 2017 21:10:20 +0000</pubDate>

		<dc:creator>Floral Pilgrim — Cargo Example Site</dc:creator>

		<guid isPermaLink="true">https://floralpilgrim.cargo.site/The-Doctor-of-Geneva</guid>

		<description>


	
	DimensionalityThe Doctor of GenevaIf words are not things, or maps are not the actual territory, then, obviously, the only possible link between the objective world and the linguistic world is found in structure, and structure alone.
	



	


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	The Doctor of Geneva
Wallace Stevens
Harmonium, 1923

The doctor of Geneva stamped the sand That lay impounding the Pacific swell, Patted his stove-pipe hat and tugged his shawl. Lacustrine man had never been assailed By such long-rolling opulent cataracts, Unless Racine or Bossuet held the like. He did not quail. A man who used to plumb The multifarious heavens felt no awe Before these visible, voluble delugings, Which yet found means to set his simmering mind Spinning and hissing with oracular Notations of the wild, the ruinous waste, Until the steeples of his city clanked and sprang In an unburgherly apocalypse. The doctor used his handkerchief and sighed.

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